CELEBRATING JOHANN SEBASTIAN BACH

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The works of J.S. Bach exhibit that grand paradox I love so much: Symmetry and form meeting the purest beauty of a simple line. Every phrase asks the artist to sing in a way that transcends the instrument while respecting the grand architecture of the composition.

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It is this dual presence one experiences on stage that is so satisfying: Relishing the momentary beauty of a passing line while rising up 10,000 feet to watch the harmony unfold.

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It is my great pleasure to join the formidable Dover Quartet in sharing this experience with you live, via some of our best-beloved works of J.S. Bach, adapted for harp and string quartet.

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In this context, the harp becomes a mighty organ, an intimate lute, a clavecin supporting vocal lines executed by the bow. The quartet becomes a harpsichord with lines drawn out in various colors, an individual violin becomes a vocalist; and together, the ensemble becomes an orchestra exalting in the complexity of woven counterpoint.

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We hope you enjoy our celebration of J.S. Bach, re-imagined for harp and strings.

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                                                                                                                                                                       --Bridget Kibbey